Course Overview
The two-year Master of Fine Arts (MFA) provides an immersive education in the development of professional practice as an ecologically oriented artist while the one-year MA provides a masters-level education in art appropriate for a diverse range of applications.
Students on both programmes produce a final exhibition of both personal and collaborative work, which will demonstrate the skills necessary to survive and thrive as practising artists. Students will also demonstrate capabilities for critical enquiry through fine art, with the ability to evaluate their work through an informed grasp of the social, cultural and theoretical concerns shaping the discourse on contemporary art and ecological issues.
MFA students will also propose and implement an achievable, interdisciplinary collaborative project that engages with ecological/environmental concerns in the Burren or on a global scale.
Studio research provides for the development of artistic practice alongside students in the MFA/MA Studio Art. These modules provide for studio-based investigation and experimentation leading to the production of a substantial body of work. Theory and Art and Ecology engages with historical and contemporary discourses informing arts practice and ecological issues. In the first year an Introduction to Ecosystem Science provides an understanding of the operation of ecosystems through lectures and first-hand experience of the Burren. This is extended in Ecology and Sustainability in the Burren, which examines the stewardship of the area as a microcosm of environmental and ecological issues. Professional Studies modules are taken with the MFA/MA Studio Art students and focus on the development of professional skills necessary to survive and thrive as an artist.
Applications and Selections
Apply at www.burrencollege.ie.
Who Teaches this Course
Visit: https://www.burrencollege.ie/about-us/faculty-graduate-mentors/.
Key Facts
Entry Requirements
Applicants should normally have a Bachelors degree with First or upper Second Class Honours in Fine Art; or a Bachelors degree with a major in Fine Art, with a GPA of 3.50 or above, or evidence of equivalent achievement. In the case of an outstanding portfolio, a Bachelors Degree with a lower Second Class/2.2 hons/GPA 3.0 may be accepted. All eligible applicants are interviewed either in person or by phone.
Duration
1 year, 3 semesters, full-time (MA); 2 years, 4 semesters, full-time (MFA); 1 year, 2 semesters, full-time (Post Baccalaureate)
Next start date
September 2023
Average intake
8
Closing Date
Apply by 1 February 2023: applications will continue to be considered on a rolling review.
Course code
Not applicable. Apply online via the Burren College of Art: www.burrencollege.ie
Course Outline
Studio Research provides for the development of artistic practice alongside students of the MFA/MA in Studio Art. These modules provide for studio-based experimentation and innovation, leading to the production of a substantial body of work.
Studio Methodologies are a series of taught studio courses examining the methodology of Art & Ecology with reference to historical examples.
Theory and Art & Ecology consists of seminars contextualising the theoretical framework of Art & Ecology.
In addition, Environmental Studies draws on expertise from within the College of Science at University of Galway in engaging with scientific approaches to ecology, with the first module led by an environmental scientist.
Lectures and field trips provide first-hand experience of the Burren as a microcosm of environmental and ecological issues, while a distance-learning module examines the social and political context of global environmental issues.
Curriculum Information
Curriculum information relates to the current academic year (in most cases).Course and module offerings and details may be subject to change.
Glossary of Terms
- Credits
- You must earn a defined number of credits (aka ECTS) to complete each year of your course. You do this by taking all of its required modules as well as the correct number of optional modules to obtain that year's total number of credits.
- Module
- An examinable portion of a subject or course, for which you attend lectures and/or tutorials and carry out assignments. E.g. Algebra and Calculus could be modules within the subject Mathematics. Each module has a unique module code eg. MA140.
- Optional
- A module you may choose to study.
- Required
- A module that you must study if you choose this course (or subject).
- Semester
- Most courses have 2 semesters (aka terms) per year.
Year 1 (90 Credits)
Required EN6116: Writing and Research
EN6116: Writing and Research
Semester 1 and Semester 2 | Credits: 10
This module will run over the academic year (in both semesters) and will enable students on the MA in English to make the transition from undergraduate-level scholarship to a postgraduate expertise in research and writing.
(Language of instruction: English)
Learning Outcomes
- Make efficient use of libraries, electronic resources, special collections and archives to find, evaluate, and classify sources for the purposes of their research project.
- Be capable users of an efficient note-taking system.
- Write bibliographies and use a reference system in their writing successfully and with ease.
- Produce a feasible research proposal and plan a substantial research project.
Assessments
This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.
- Continuous Assessment (100%)
Module Director
- FRANCES MCCORMACK: Research Profile | Email
Lecturers / Tutors
- CLÃODHNA CARNEY: Research Profile
- DEARBHLA MOONEY: Research Profile
Note: Module offerings and details may be subject to change.
Optional EN6126: Interrogating Literary History
EN6126: Interrogating Literary History
Semester 2 | Credits: 10
Literary history is the narrative frame for understanding the context of a literary work. The choice of narrative frame shapes how we interpret the text; James Joyce, for example, is appreciated differently from the perspective of Irish literature as opposed to that of European modernism. Literary histories have most commonly been organised around ideas of the nation, identity (of gender, race, sexuality), historical period, and genre. This module investigates how particular narrative frames are adopted to tell the story of literature. We will examine the cultural, political and critical impulses driving the composition of different kinds of literary history. We will interrogate the modes and mediums of transmission, looking in particular at the role played by anthologies and the wealth of possibilities opened up by advances in the digital humanities.
The module will consider recent challenges to the dominant modes of writing literary history. We will be reading some key theoretical works that urge us to rethink literary history in order to accommodate the global age of ‘world literature, recast the national onto the transnational, take advantage of new digital media in order to visualise literary history in innovative ways, and assess literary impact in terms of the history of reading and reception.
All assessments (short written exercises, class presentation, final essay) are directed towards a single project in which students will devise and design their own literary history.
(Language of instruction: English)
Learning Outcomes
- Identify key modes of structuring literary history
- Evaluate different models for contextualising literature
- Assess key theories of literary history
- Critique the concepts and ideologies that shape literary history
- Propose their own model for literary history
Assessments
This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.
- Continuous Assessment (90%)
- Oral, Audio Visual or Practical Assessment (10%)
Module Director
- MARIE-LOUISE COOLAHAN: Research Profile | Email
Lecturers / Tutors
- DEARBHLA MOONEY: Research Profile
- MARIE-LOUISE COOLAHAN: Research Profile
Reading List
- by Linda Hutcheon,Mario J. Valdés
ISBN: 9780195152548.
Publisher: Oxford : Oxford University Press - by Andrew Carpenter,Seamus Deane,Jonathan Williams
ISBN: 9780393030464. - by Angela Bourke
ISBN: 9780814799086.
Publisher: NYU Press - by Margaret Kelleher,Philip O'Leary
ISBN: 9780521822244. - by Heather Ingman,ClÃona Ó Gallchoir
ISBN: 9781107131101.
Publisher: Cambridge University Press - by Margaret J. M. Ezell
ISBN: 9780801855085.
Publisher: JHU Press - by Alan Bray
ISBN: 0226071804.
Publisher: University of Chicago Press - by Franco Moretti
ISBN: 9781844671854.
Publisher: Verso Books - by Katherine Bode
ISBN: 9781783083084.
Publisher: Anthem Press - by R. Crone,S. Towheed
ISBN: 9781349320134.
Publisher: Palgrave Macmillan
Note: Module offerings and details may be subject to change.
Optional EN6135: Studies in Poetry
EN6135: Studies in Poetry
Semester 2 | Credits: 10
Students in this module are exposed to selected topics related to poetry. Topics and areas of focus may vary from year to year.
(Language of instruction: English)
Learning Outcomes
- Discourse knowledgeably about selected poets as well as the broader cultural contexts in which they worked.
- Conduct sophisticated oral and/or written analyses of literary texts related to course themes.
- Critically engage with appropriate secondary sources.
Assessments
This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.
- Continuous Assessment (100%)
Module Director
- LINDSAY ANN REID: Research Profile | Email
Lecturers / Tutors
- CLÃODHNA CARNEY: Research Profile
- DEARBHLA MOONEY: Research Profile
- LINDSAY ANN REID: Research Profile
Reading List
- by Modern Language Association of America
ISBN: 9781603292627.
Note: Module offerings and details may be subject to change.
Optional DT6102: Irish Drama and Theatre from Wilde to O'Casey
DT6102: Irish Drama and Theatre from Wilde to O'Casey
Semester 1 | Credits: 10
This course explores the history of Irish drama and theatre from 1890 to 1930
(Language of instruction: English)
Learning Outcomes
- Identify, describe and analyse key moments in Irish theatre history from 1890 to 1930, with special focus on the Irish literary revival.
- produce a substantial research paper that deploys the skills of archival research, textual analysis and performance analysis.
Assessments
This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.
- Continuous Assessment (100%)
Module Director
- KAREN M WALSH: Research Profile | Email
Lecturers / Tutors
- PATRICK LONERGAN: Research Profile
- DEARBHLA MOONEY: Research Profile
- CHARLOTTE MCIVOR: Research Profile
- MIRIAM HAUGHTON: Research Profile
- AOIFE HARRINGTON: Research Profile
- EMMA BRINTON: Research Profile
- IAN WALSH: Research Profile
- Catherine Morris: Research Profile
Reading List
- by edited by John P. Harrington
ISBN: 0393932435.
Publisher: W.W. Norton & Co. - by n/a
ISBN: 978-140817528.
Note: Module offerings and details may be subject to change.
Optional EN601: Writing Workshop: Poetry
EN601: Writing Workshop: Poetry
Semester 1 | Credits: 10
The primary aim of this workshop is the generation of new work in poetry by students. This will be the result of readings in poetry in a wide variety of forms from various traditions, weekly exercises and projects.
(Language of instruction: English)
Learning Outcomes
- To be confirmed
Assessments
This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.
- Continuous Assessment (100%)
Module Director
- DEARBHLA MOONEY: Research Profile | Email
Lecturers / Tutors
- JOHN KENNY: Research Profile
- DEARBHLA MOONEY: Research Profile
- IRENE OMALLEY: Research Profile
Note: Module offerings and details may be subject to change.
Optional EN529: Dissertation
EN529: Dissertation
15 months long | Credits: 30
Learning Outcomes
- To be confirmed
Assessments
This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.
- Research (100%)
Module Director
- KAREN M WALSH: Research Profile | Email
Lecturers / Tutors
- REBECCA ANNE BARR: Research Profile
- CLÃODHNA CARNEY: Research Profile
- DEARBHLA MOONEY: Research Profile
- IRENE OMALLEY: Research Profile
Note: Module offerings and details may be subject to change.
Optional EN6105: Introduction to Digital Humanities
EN6105: Introduction to Digital Humanities
Semester 1 | Credits: 10
This class will explore a range of topics from the intersection of computing and the humanities, with a particular emphasis on literary studies. Topic and questions to be addressed include: the history of computing in the humanities, and how computers can augment traditional analytic methods in the humanities. Classes will be divided between in-depth discussions of assigned readings and more practical and hands-on exploration and use of pertinent digital tools and platforms.
(Language of instruction: English)
Learning Outcomes
- Describe how computers have been used to study literature and other humanities topics in the past and present.
- Articulate a comprehensive picture of the emerging discipline of digital humanities and address its role within the academy and beyond.
- Demonstrate how computers can aid and supplement many existing theories and methodologies in the humanities and literary studies.
- Use, analyse, and critique a range of digital technologies developed for digital humanities tasks.
- Effectively synthesise the new theories and methodologies of digital humanities with existing disciplinary training in the humanities.
- Recognise the fundamental interdisciplinarity of digital humanities, and appreciate the value of such an approach to humanities study.
Assessments
This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.
- Continuous Assessment (100%)
Module Director
- KAREN M WALSH: Research Profile | Email
Lecturers / Tutors
- DEARBHLA MOONEY: Research Profile
- IRENE OMALLEY: Research Profile
- JUSTIN TONRA: Research Profile
- PADRAIC KILLEEN: Research Profile
Reading List
- by Schreibman, Susan, Ray Siemens, and John Unsworth, eds.
- by Siemens, Ray, and Susan Schreibman, eds
- by Gold, Matthew K, ed
- by Terras, Melissa M., Julianne Nyhan, and Edward Vanhoutte, eds
- by Moretti, Franco
Note: Module offerings and details may be subject to change.
Optional FM6101: Ireland on Screen
FM6101: Ireland on Screen
Semester 1 | Credits: 10
This module provides students with an overview of Irish cinema from the early twentieth century to the present. It includes an analysis of the major films produced and the discourses concerning cinema in Ireland over the past one hundred years. Among the questions the module examines are: what are the major traditions of representing Ireland in cinema? How have indigenous filmmakers responded to these representations? What are the distinctive characteristics of contemporary Irish film culture?
(Language of instruction: English)
Learning Outcomes
- Comprehend the major issues and debates surrounding ‘national cinema.
- Recognise patterns in the representation of Ireland in international cinema.
- Recall the major developments in the history of cinema in Ireland and examine key texts.
- Analyse the major themes apparent in contemporary Irish cinema.
- Evaluate the challenges and advantages of film-making in Ireland today.
Assessments
This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.
- Department-based Assessment (100%)
Module Director
- SEÃN CROSSON: Research Profile | Email
Lecturers / Tutors
- SEÃN CROSSON: Research Profile
- DEIRDRE QUINN: Research Profile
Reading List
- by Ruth Barton
Publisher: Routledge - by Werner Huber & Sean Crosson
Publisher: Braumüller
Note: Module offerings and details may be subject to change.
Optional IS105: Young Ireland to the Free State: Writing in English, 1849-1922
IS105: Young Ireland to the Free State: Writing in English, 1849-1922
Semester 1 | Credits: 10
This module surveys Irish literature written in the English language from 1849 to 1922. Through close readings of selected texts, the development of cultural nationalism will be explored. Issues to be examined include: negative images of Ireland/Irish in Britain (and resistance to such images); colonial context of Ireland; problems of nationalism; transformative potential of literature. Within the module, an examination of genre – drama, poetry and the short story – analyses the relationship between literature, nationalism and politics.
(Language of instruction: English)
Learning Outcomes
- Understand and identify key issues concerning Irish writing in English in the 19th and early 20th centuries
- Analyse and critique the debate surrounding cultural nationalism in Ireland
- Outline key contributions Irish writers made to English literature during the period
- Critique how key political and historical issues in this period influenced and shaped Irish writing in the English language (for example, the Great Irish Famine; the Irish emigrant experience; and the post-Famine transition from Irish to English as the majority spoken language by the end of the century)
Assessments
This module's usual assessment procedures, ou