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    Introduction to Early Music Performance and Listening for Music Teachers
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    University College Cork

    Introduction to Early Music Performance and Listening for Music Teachers

    University College Cork

    University College Cork

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    Ireland, Cork

    University RankQS Ranking
    293

    Key Facts

    Program Level

    Master by Course Work

    Study Type

    Full Time

    Delivery

    On Campus

    Course Code

    CPD1693

    Campuses

    Main Site

    Program Language

    English

    Start & Deadlines

    Next Intake Deadlines9-Sep-2024
    Apply to this program

    Go to the official application for the university

    Duration 2 year(s)
    Next Intake 9-Sep-2024

    Introduction to Early Music Performance and Listening for Music Teachers

    About

    1. Study
    2. Continuing Professional Development
    3. Browse CPD Options
    4. CPD College of Arts, Celtic Studies, Social Sciences
    5. CPD Music & Theatre
    6. CPD1693 Intro to Early Music Performance

    About

    Explore This Section

    1. Fact File
    2. Outline
    3. Practicalities

    Fact File

    • Title

      Introduction to Early Music Performance and Listening for Music Teachers

    • Code

      CPD1693

    • College

      Arts, Celtic Studies and Social Sciences

    • Duration

      Friday 16 August 2019 (12-6pm) & Saturday 17 August (11-7pm) 2019

    • Fees

      Early-bird fee: €150 (€180 after July 1st) Student fee: €80 (Current student ID Required) See Fees and Costs for full details.

    • Entry Requirements

      See Entry Requirements below See Requirements for full details.

    • Venue

      Details on the location of the course will be provided on registration and payment for the course, but it will be held on UCC Music Campus aswell as other concert venues.

       

    Outline

    This CPD course is no longer running.

    This Music Teachers’ CPD course is unique in Ireland in focusing on the development of teaching and learning approaches to Early Music performance and listening for post-primary level. Led by professional practitioners in Early Music, the course will explore the history, performance conventions and creative interpretation of early music genres such as plainchant, Baroque vocal music, and instrumental performance practice in the Medieval, Renaissance and early Baroque periods. Early Music performance repertories and techniques will be carefully selected to provide an accessible, developmentally appropriate entry point into these historical classical music performance styles, for beginner and near-beginner performers of all ages. Critical listening, leading practices, interpretation of score, and a basic introduction to improvised harmony and ornamentation practices for young performers, will specifically meet many of the teaching and learning criteria outlined across the post-primary curriculum for Music. The course may also be of general interest to private music teachers and Early Music enthusiasts.  

    The two days of workshops will be framed by public concerts performed by the course tutors, at St Peter and Paul’s Church, Paul’s Street, Cork.
     
    Biographies of Performers & Teachers:
     
    Daniel Brielmaier (Baroque oboe/flute)
     

    Toronto-based musician Daniel Brielmaier performs on both modern and period wind instruments.  He received a BA in Music Performance from the University of Wisconsin-Madison, where he studied modern oboe with March Fink. 

    After a receiving an introduction to Early Music through the Department of Music at University College Cork, Daniel returned to Madison and began studying traverso and recorders with Jeanne Swack, as well as viola da gamba with Jennifer Barron and David Crook.  Relocating to Toronto, Canada for graduate studies, he studied Baroque oboe with Washington McClain and John Abberger.  

    Daniel regularly performs with modern and Baroque orchestras and chamber ensembles in the US and Canada, and has taught several musicology courses and workshops on Baroque music and performance.

    Jan Kleinbussink (Organ/harpsichord)

    Jan Kleinbussink is a renowned senior early music specialist in the Netherlands, organist and harpsichordist was head of the Early Music department at the Royal Conservatory in The Hague for over fifteen years.

    He also developed the master's programs in the field of performing arts and the academic artistic research programs at this institute. He continued this work as a coach for students Early Music research at Leiden University.

    As a continuo player on organ and harpsichord he has been working with Ton Koopman and the Amsterdam Baroque Orchestra and Choir for decades in many concerts throughout Europe, America and Japan and in many CD recordings with works by Bach, Handel, Charpentier, Purcell among others.

    He currently gives concerts as a soloist and leader of the Dutch Baroque consort and gives lectures, courses and masterclasses in Early Music. As a guest conductor, he leads Early Music Productions with various ensembles.


    Róisín O’Grady (Baroque soprano)

    Irish soprano Róisín O’Grady has performed in recital and oratorio throughout Ireland. She was a member of and a soloist with the National Chamber Choir of Ireland for over two years. She performed with the choir throughout Ireland and toured Holland and The Lebanon. In 2011 they performed for US President Barack Obama in the White House on St. Patrick’s Day.

    She has performed with early music ensembles, orchestras and choral societies throughout Ireland and the UK including the RTÉ National Symphony Orchestra, the RTÉ Concert Orchestra, the BBC Scottish Symphony Orchestra, the Irish Baroque Orchestra and the Orchestra of St. Cecilia. She is a member of the early music duo tonos who performed in the John Field Room, NCH, the National Gallery of Ireland, the Sligo Festival of Baroque Music, and was broadcast in concert by Lyric FM. The duo has released two CDs, Songs of Identity and Belonging and Wintersong. She regularly performs with harpsichordist Malcolm Proud. 

    Recitals include the Hugh Lane Gallery Concert Series, Dun Laoghaire Organ Concert Series, Dublin International Organ Festival and Galway Cathedral Recital Series. Festival performances include Galway Early Music Festival, East Cork Early Music Festival, Ardee Baroque Festival, Kilkenny Arts Festival, West Cork Chamber Music Festival and Gŵyl Gregynog Festival. 

    Eimear Reidy (Baroque cello)

    Cork based cellist Eimear Reidy received an MMUs in Historical Performance Practice from Utrecht Conservatorium, Eimear has performed in several of Europe's finest concert halls including The Concertgebouw, Amsterdam, Krakow Philharmonia, Utrecht, Vredenburg, Symphony Hall, Birmingham and Ireland's National Concert Hall. Eimear has performed with some of the leading names in period performance including Alfredo Bernardini, Enrico Gatii, Andreas Spering, Peter Hanson and Allesandro Moccia.

    Eimear also performs with a number of sound art ensembles such as The Quiet Club, Strange Attractor and has written muisc for Gaitkrash theartre company's latest production Eimear was a recipient of the Arts Council 2018 music project award to compose a piece for solo cello and found sounds.

     

    Marike Tuin (Cello/viol da gamba)

    The Dutch Baroque cellist and viol player Marike Tuin started her Baroque music studies when she was studying at UCC in the Socrates exchange program in 2000. She met the American viol player Sarah Cunningham in Cork and started her viol studies. On Baroque cello she made a start with Cork-based Dutch cellist Gerda Marwood-Bollekamp. Back in Holland she studied at the Early Music departments of the conservatories of Amsterdam and The Hague. In her study-time she learned a lot from great musicians like Jordi Savall, Philippe Pierlot, Monica Huggett, Jaap ter Linden and Michael Chance. In orchestras she worked with a.o. Gustav Leonhardt, Philippe Herreweghe and Jos van Immerseel.

    After finishing her studies she has been performing as a Baroque musician in ensembles and orchestras throughout Europe. She is a member of the Margaretha Consort, with whom she made a highly praised CD for Naxos with German 17th century Christmas music, ‘A German Christmas’.

    Marike regularly teaches viol consort courses in The Netherlands and Germany,  and recently gave a masterclass in Baroque cello at the Cork School of Music as part of the 2017 East Cork Early Music Festival. She also likes to work with Alzheimer’s patients, with whom she does improvisation workshops.

    Practicalities

    Details on the location of the course will be provided on registration and payment for the course, but it will be held on UCC Music Campus aswell as other concert venues.

    On-street parking is available close to the university, and there are several options for pay-parking nearby:

    https://www.ucc.ie/en/discover/visit/parking/

    Requirements

    Post-primary Music teachers

    Private music teachers and third-level performance tutors 

    Third-level music students

    Pre-professional Early Music performers

    Amateur Early Music enthusiasts

    Fees and Costs

    • €180 (€80 for Students attending) 
    • €150 Early Bird Fee if booked by 10th August 2019 

    How Do I Apply

    This course is no longer running.

    If you are interested in any CPD courses in the area of Music and/or Theatre Studies please register your interest on the Mailing List form below: 

    This CPD course is no longer running.

    This Music Teachers’ CPD course is unique in Ireland in focusing on the development of teaching and learning approaches to Early Music performance and listening for post-primary level. Led by professional practitioners in Early Music, the course will explore the history, performance conventions and creative interpretation of early music genres such as plainchant, Baroque vocal music, and instrumental performance practice in the Medieval, Renaissance and early Baroque periods. Early Music performance repertories and techniques will be carefully selected to provide an accessible, developmentally appropriate entry point into these historical classical music performance styles, for beginner and near-beginner performers of all ages. Critical listening, leading practices, interpretation of score, and a basic introduction to improvised harmony and ornamentation practices for young performers, will specifically meet many of the teaching and learning criteria outlined across the post-primary curriculum for Music. The course may also be of general interest to private music teachers and Early Music enthusiasts.  

    The two days of workshops will be framed by public concerts performed by the course tutors, at St Peter and Paul’s Church, Paul’s Street, Cork.
     
    Biographies of Performers & Teachers:
     
    Daniel Brielmaier (Baroque oboe/flute)
     

    Toronto-based musician Daniel Brielmaier performs on both modern and period wind instruments.  He received a BA in Music Performance from the University of Wisconsin-Madison, where he studied modern oboe with March Fink. 

    After a receiving an introduction to Early Music through the Department of Music at University College Cork, Daniel returned to Madison and began studying traverso and recorders with Jeanne Swack, as well as viola da gamba with Jennifer Barron and David Crook.  Relocating to Toronto, Canada for graduate studies, he studied Baroque oboe with Washington McClain and John Abberger.  

    Daniel regularly performs with modern and Baroque orchestras and chamber ensembles in the US and Canada, and has taught several musicology courses and workshops on Baroque music and performance.

    Jan Kleinbussink (Organ/harpsichord)

    Jan Kleinbussink is a renowned senior early music specialist in the Netherlands, organist and harpsichordist was head of the Early Music department at the Royal Conservatory in The Hague for over fifteen years.

    He also developed the master's programs in the field of performing arts and the academic artistic research programs at this institute. He continued this work as a coach for students Early Music research at Leiden University.

    As a continuo player on organ and harpsichord he has been working with Ton Koopman and the Amsterdam Baroque Orchestra and Choir for decades in many concerts throughout Europe, America and Japan and in many CD recordings with works by Bach, Handel, Charpentier, Purcell among others.

    He currently gives concerts as a soloist and leader of the Dutch Baroque consort and gives lectures, courses and masterclasses in Early Music. As a guest conductor, he leads Early Music Productions with various ensembles.


    Róisín O’Grady (Baroque soprano)

    Irish soprano Róisín O’Grady has performed in recital and oratorio throughout Ireland. She was a member of and a soloist with the National Chamber Choir of Ireland for over two years. She performed with the choir throughout Ireland and toured Holland and The Lebanon. In 2011 they performed for US President Barack Obama in the White House on St. Patrick’s Day.

    She has performed with early music ensembles, orchestras and choral societies throughout Ireland and the UK including the RTÉ National Symphony Orchestra, the RTÉ Concert Orchestra, the BBC Scottish Symphony Orchestra, the Irish Baroque Orchestra and the Orchestra of St. Cecilia. She is a member of the early music duo tonos who performed in the John Field Room, NCH, the National Gallery of Ireland, the Sligo Festival of Baroque Music, and was broadcast in concert by Lyric FM. The duo has released two CDs, Songs of Identity and Belonging and Wintersong. She regularly performs with harpsichordist Malcolm Proud. 

    Recitals include the Hugh Lane Gallery Concert Series, Dun Laoghaire Organ Concert Series, Dublin International Organ Festival and Galway Cathedral Recital Series. Festival performances include Galway Early Music Festival, East Cork Early Music Festival, Ardee Baroque Festival, Kilkenny Arts Festival, West Cork Chamber Music Festival and Gŵyl Gregynog Festival. 

    Eimear Reidy (Baroque cello)

    Cork based cellist Eimear Reidy received an MMUs in Historical Performance Practice from Utrecht Conservatorium, Eimear has performed in several of Europe's finest concert halls including The Concertgebouw, Amsterdam, Krakow Philharmonia, Utrecht, Vredenburg, Symphony Hall, Birmingham and Ireland's National Concert Hall. Eimear has performed with some of the leading names in period performance including Alfredo Bernardini, Enrico Gatii, Andreas Spering, Peter Hanson and Allesandro Moccia.

    Eimear also performs with a number of sound art ensembles such as The Quiet Club, Strange Attractor and has written muisc for Gaitkrash theartre company's latest production Eimear was a recipient of the Arts Council 2018 music project award to compose a piece for solo cello and found sounds.

     

    Marike Tuin (Cello/viol da gamba)

    The Dutch Baroque cellist and viol player Marike Tuin started her Baroque music studies when she was studying at UCC in the Socrates exchange program in 2000. She met the American viol player Sarah Cunningham in Cork and started her viol studies. On Baroque cello she made a start with Cork-based Dutch cellist Gerda Marwood-Bollekamp. Back in Holland she studied at the Early Music departments of the conservatories of Amsterdam and The Hague. In her study-time she learned a lot from great musicians like Jordi Savall, Philippe Pierlot, Monica Huggett, Jaap ter Linden and Michael Chance. In orchestras she worked with a.o. Gustav Leonhardt, Philippe Herreweghe and Jos van Immerseel.

    After finishing her studies she has been performing as a Baroque musician in ensembles and orchestras throughout Europe. She is a member of the Margaretha Consort, with whom she made a highly praised CD for Naxos with German 17th century Christmas music, ‘A German Christmas’.

    Marike regularly teaches viol consort courses in The Netherlands and Germany,  and recently gave a masterclass in Baroque cello at the Cork School of Music as part of the 2017 East Cork Early Music Festival. She also likes to work with Alzheimer’s patients, with whom she does improvisation workshops.

    Practicalities

    Details on the location of the course will be provided on registration and payment for the course, but it will be held on UCC Music Campus aswell as other concert venues.

    On-street parking is available close to the university, and there are several options for pay-parking nearby:

    https://www.ucc.ie/en/discover/visit/parking/

    Requirements

    Post-primary Music teachers

    Private music teachers and third-level performance tutors 

    Third-level music students

    Pre-professional Early Music performers

    Amateur Early Music enthusiasts

    Fees and Costs

    • €180 (€80 for Students attending) 
    • €150 Early Bird Fee if booked by 10th August 2019 

    How Do I Apply

    This course is no longer running.

    If you are interested in any CPD courses in the area of Music and/or Theatre Studies please register your interest on the Mailing List form below: 

    Disciplines

    Arts

    Celtic Studies and Social Sciences

    Requirements

    Entry Requirements

    Programme

    Qualification Required

    2H2 Equivalent

    2H1 Equivalent

    1H Equivalent

    Postgraduate Programmes

    Bachelor Degree (البكالوريوس )

    Minimum CGPA of 3.5 on a 5 point scale

    Minimum CGPA of 2.8 on a 4 point scale

    Minimum CGPA of 3.75 on a 5 point scale

    Minimum CGPA of 3.2 on a 4 point scale

    Minimum CGPA of 4.5 on a 5 point scale

    Minimum CGPA of 3.6 on a 4 point scale)

    English Program Requirements

    English Language Requirements (for Non-Irish EU applicants)

    Teaching in Irish Higher Education Institutions (HEIs) is normally through the medium of English; therefore all applicants are required to demonstrate a high level of competence in the English Language.

    Applicants whose first language is not English must provide evidence of equivalent competence in English Language through their school leaving examination or matriculation examination or by achieving the minimum standard (there may be higher levels for matriculation and/or particular programmes in individual institutions) in a recognised English language test, as specified below (note applicants are assessed on the results of a single sitting only):

    UCC Language Centre Pre-sessional Programmes

    These programmes are available to assist students who:

    • Have not achieved their required level of English for acceptance onto their undergraduate or postgraduate programme
    • Feel they do not have the academic or general English language skills necessary to succeed at the University

     Find out more about the Language Centre's Pre-Sessional Programmes.

    Career

    1. Study
    2. Continuing Professional Development
    3. Browse CPD Options
    4. CPD College of Arts, Celtic Studies, Social Sciences
    5. CPD Music & Theatre
    6. CPD1693 Intro to Early Music Performance

    About

    Explore This Section

    1. Fact File
    2. Outline
    3. Practicalities

    Fact File

    • Title

      Introduction to Early Music Performance and Listening for Music Teachers

    • Code

      CPD1693

    • College

      Arts, Celtic Studies and Social Sciences

    • Duration

      Friday 16 August 2019 (12-6pm) & Saturday 17 August (11-7pm) 2019

    • Fees

      Early-bird fee: €150 (€180 after July 1st) Student fee: €80 (Current student ID Required) See Fees and Costs for full details.

    • Entry Requirements

      See Entry Requirements below See Requirements for full details.

    • Venue

      Details on the location of the course will be provided on registration and payment for the course, but it will be held on UCC Music Campus aswell as other concert venues.

       

    Outline

    This CPD course is no longer running.

    This Music Teachers’ CPD course is unique in Ireland in focusing on the development of teaching and learning approaches to Early Music performance and listening for post-primary level. Led by professional practitioners in Early Music, the course will explore the history, performance conventions and creative interpretation of early music genres such as plainchant, Baroque vocal music, and instrumental performance practice in the Medieval, Renaissance and early Baroque periods. Early Music performance repertories and techniques will be carefully selected to provide an accessible, developmentally appropriate entry point into these historical classical music performance styles, for beginner and near-beginner performers of all ages. Critical listening, leading practices, interpretation of score, and a basic introduction to improvised harmony and ornamentation practices for young performers, will specifically meet many of the teaching and learning criteria outlined across the post-primary curriculum for Music. The course may also be of general interest to private music teachers and Early Music enthusiasts.  

    The two days of workshops will be framed by public concerts performed by the course tutors, at St Peter and Paul’s Church, Paul’s Street, Cork.
     
    Biographies of Performers & Teachers:
     
    Daniel Brielmaier (Baroque oboe/flute)
     

    Toronto-based musician Daniel Brielmaier performs on both modern and period wind instruments.  He received a BA in Music Performance from the University of Wisconsin-Madison, where he studied modern oboe with March Fink. 

    After a receiving an introduction to Early Music through the Department of Music at University College Cork, Daniel returned to Madison and began studying traverso and recorders with Jeanne Swack, as well as viola da gamba with Jennifer Barron and David Crook.  Relocating to Toronto, Canada for graduate studies, he studied Baroque oboe with Washington McClain and John Abberger.  

    Daniel regularly performs with modern and Baroque orchestras and chamber ensembles in the US and Canada, and has taught several musicology courses and workshops on Baroque music and performance.

    Jan Kleinbussink (Organ/harpsichord)

    Jan Kleinbussink is a renowned senior early music specialist in the Netherlands, organist and harpsichordist was head of the Early Music department at the Royal Conservatory in The Hague for over fifteen years.

    He also developed the master's programs in the field of performing arts and the academic artistic research programs at this institute. He continued this work as a coach for students Early Music research at Leiden University.

    As a continuo player on organ and harpsichord he has been working with Ton Koopman and the Amsterdam Baroque Orchestra and Choir for decades in many concerts throughout Europe, America and Japan and in many CD recordings with works by Bach, Handel, Charpentier, Purcell among others.

    He currently gives concerts as a soloist and leader of the Dutch Baroque consort and gives lectures, courses and masterclasses in Early Music. As a guest conductor, he leads Early Music Productions with various ensembles.


    Róisín O’Grady (Baroque soprano)

    Irish soprano Róisín O’Grady has performed in recital and oratorio throughout Ireland. She was a member of and a soloist with the National Chamber Choir of Ireland for over two years. She performed with the choir throughout Ireland and toured Holland and The Lebanon. In 2011 they performed for US President Barack Obama in the White House on St. Patrick’s Day.

    She has performed with early music ensembles, orchestras and choral societies throughout Ireland and the UK including the RTÉ National Symphony Orchestra, the RTÉ Concert Orchestra, the BBC Scottish Symphony Orchestra, the Irish Baroque Orchestra and the Orchestra of St. Cecilia. She is a member of the early music duo tonos who performed in the John Field Room, NCH, the National Gallery of Ireland, the Sligo Festival of Baroque Music, and was broadcast in concert by Lyric FM. The duo has released two CDs, Songs of Identity and Belonging and Wintersong. She regularly performs with harpsichordist Malcolm Proud. 

    Recitals include the Hugh Lane Gallery Concert Series, Dun Laoghaire Organ Concert Series, Dublin International Organ Festival and Galway Cathedral Recital Series. Festival performances include Galway Early Music Festival, East Cork Early Music Festival, Ardee Baroque Festival, Kilkenny Arts Festival, West Cork Chamber Music Festival and Gŵyl Gregynog Festival. 

    Eimear Reidy (Baroque cello)

    Cork based cellist Eimear Reidy received an MMUs in Historical Performance Practice from Utrecht Conservatorium, Eimear has performed in several of Europe's finest concert halls including The Concertgebouw, Amsterdam, Krakow Philharmonia, Utrecht, Vredenburg, Symphony Hall, Birmingham and Ireland's National Concert Hall. Eimear has performed with some of the leading names in period performance including Alfredo Bernardini, Enrico Gatii, Andreas Spering, Peter Hanson and Allesandro Moccia.

    Eimear also performs with a number of sound art ensembles such as The Quiet Club, Strange Attractor and has written muisc for Gaitkrash theartre company's latest production Eimear was a recipient of the Arts Council 2018 music project award to compose a piece for solo cello and found sounds.

     

    Marike Tuin (Cello/viol da gamba)

    The Dutch Baroque cellist and viol player Marike Tuin started her Baroque music studies when she was studying at UCC in the Socrates exchange program in 2000. She met the American viol player Sarah Cunningham in Cork and started her viol studies. On Baroque cello she made a start with Cork-based Dutch cellist Gerda Marwood-Bollekamp. Back in Holland she studied at the Early Music departments of the conservatories of Amsterdam and The Hague. In her study-time she learned a lot from great musicians like Jordi Savall, Philippe Pierlot, Monica Huggett, Jaap ter Linden and Michael Chance. In orchestras she worked with a.o. Gustav Leonhardt, Philippe Herreweghe and Jos van Immerseel.

    After finishing her studies she has been performing as a Baroque musician in ensembles and orchestras throughout Europe. She is a member of the Margaretha Consort, with whom she made a highly praised CD for Naxos with German 17th century Christmas music, ‘A German Christmas’.

    Marike regularly teaches viol consort courses in The Netherlands and Germany,  and recently gave a masterclass in Baroque cello at the Cork School of Music as part of the 2017 East Cork Early Music Festival. She also likes to work with Alzheimer’s patients, with whom she does improvisation workshops.

    Practicalities

    Details on the location of the course will be provided on registration and payment for the course, but it will be held on UCC Music Campus aswell as other concert venues.

    On-street parking is available close to the university, and there are several options for pay-parking nearby:

    https://www.ucc.ie/en/discover/visit/parking/

    Requirements

    Post-primary Music teachers

    Private music teachers and third-level performance tutors 

    Third-level music students

    Pre-professional Early Music performers

    Amateur Early Music enthusiasts

    Fees and Costs

    • €180 (€80 for Students attending) 
    • €150 Early Bird Fee if booked by 10th August 2019 

    How Do I Apply

    This course is no longer running.

    If you are interested in any CPD courses in the area of Music and/or Theatre Studies please register your interest on the Mailing List form below: 

    How to Apply

    1. Check Dates: Check the opening and closing dates for the application process in the fact file boxes at the top of the page.

    • For Irish and EU applicants we operate a rounds system and you can check the rounds closing dates here.
    • Note that not all our programmes are subject to the rounds system so check the opening and closing dates for your specific programme in the fact file boxes above.

    2. Gather Documents: Scanned copies of supporting documents have to be uploaded to the UCC online application portal and include:

    • Original qualification documents listed on your application including transcripts of results from institutions other than UCC;
    • Any supplementary items requested for your course if required.

    3. Apply Online: Apply online via the UCC online application portal. Note the majority of our courses have a non-refundable €50 application fee.

    Any questions? Use our web enquiry form to contact us.

    Please note you will be required to provide additional information as part of the online application process for this programme. This will include the following questions:

    • You may enter the details of professional or voluntary positions held. We strongly encourage you to complete this section with all relevant work experiences that will support your application.

    • In addition to your previously declared qualifications, please outline any additional academic courses, self-learning and professional training relevant to this programme.

    • Please describe your motivation and readiness for this programme.

    University College Cork

    Introduction to Early Music Performance and Listening for Music Teachers

    University College Cork

    [object Object]

    Ireland,

    Cork

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