Master of Fine Arts Theatre Directing

The Department of Theatre offers a Master of Fine Arts (MFA) in Theatre with specialization in Directing.

The Master of Fine Arts (MFA) in directing focuses on the practice of directing contemporary theatre. It allows students to develop their skills in the art of directing, and offers the unique opportunity to study both English and French theatre practices in a bilingual and bicultural setting. The program is designed to prepare students to work as directors in the professional theatre.

The program is offered full-time and extends over two years. It can be pursued in English and in French.

In accordance with the University of Ottawa regulation, students have a right to produce their work, their thesis, and to answer examination questions in French or in English.

The programs are governed by the academic regulations in effect for graduate studies.

For the most accurate and up to date information on application deadlines, language tests and other admission requirements, please visit the specific requirements webpage.

Admission to the graduate program in Theatre is governed by the “General Regulations” in effect for graduate studies.

All applicants must be able to understand speak and write proficiently either English or French. Applicants whose first language is neither English nor French must provide proof of proficiency in one or the other. The list of acceptable proofs is indicated in the “Admission” section of the General Regulations in effect for graduate studies.

Admission requirements for the MFA program:

• A bachelor’s degree with a specialization or a major, or the equivalent, in Theatre with a minimum average of 75% (B+) in the last two years and a 70 % (B) average overall;
• A solid background in the literature, theory and history of the theatre;
• A working knowledge of how theatre is done, including an understanding of the basic techniques of acting, production and theatre administration;
• Experience and a demonstrable skill and talent for theatre directing;
• Some successful pursuit of theatre work beyond the university setting;
• Proficiency in one of the two official languages and at least a passive knowledge of the other; a passive knowledge implies the ability to follow courses in both official languages, and to appreciate the English and French theatrical traditions, culture and practice.