The MLitt in Sacred Music offers a unique interdisciplinary formation in Sacred Music for musicians, scholars, and leaders in artistic ministry. It is taught jointly by the School of Divinity’s Institute for Theology, Imagination and the Arts and the University of St Andrews Music Centre.
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Dr George Corbett: We’re very excited about this collaboration between our School of Divinity and the University of St Andrews Music Centre here in St Mary’s College where Theology has been taught for almost 500 years. Our MLitt presents a unique opportunity to reflect together about what makes music sacred, about why music is so important for the church and for wider society today, about some of those theological, pastoral, aesthetic considerations that have shaped – and that continue to shape – the extraordinary diversity of sacred music in different Christian worship traditions, denominations and cultures.
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Sir James MacMillan: They say that music is the most abstract of the arts, but we also know that music has deep roots in our culture, and especially our Judaeo-Christian culture, and it’s not just in the past its actually in the 20th and now the 21st centuries as well. You can find this search for the sacred at the heart of modernism, at the heart of modernity, composer after composer finding new ways to tease out the mysterious and the divine. It’s very exciting that a new course like this MLitt here at the University of St Andrews will allow scholars and artists and composers and theologians to explore that bigger context in a joint search for the sacred.
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Claire Innes-Hopkins: St Salvator’s Chapel Choir is our flagship choir here at the University of St Andrews. The Choir’s history extends back to the founding of the University in the early 15th century. Nowadays we sing three services per week including repertoire spanning the six centuries of the University’s history. We also regularly commission and perform new sacred music, including our recent premiere and recording of six new works as part of our Theoartistry composers’ scheme.
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Dr Michael Downes: If you decide to come and study sacred music here in St Andrews, you’ll instantly become part of a vibrant musical community. We have literally hundreds of concerts and performances each academic year, and represented in our programmes are some of the Uk’s leading artists. Ensembles in residence at the University include artists of the calibre of the Fitzwilliam String Quartet, the Scottish Chamber Orchestra and The Wallace Collection. If you come and study here, you’ll have the chance not only to hear these artists and others like them but also to study with them, to make music with them, and to learn from their insights.
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Dr Michael Ferguson: one of the core aspects of our Masters is that those working on it are active in sacred music outside of the University walls. Our Masters retains close links with a variety of churches and worship traditions. Within that we’re open to the full range of approaches to sacred music making.
Dr George Corbett: Our MLitt is a stand-alone qualification but for some it will also be a stepping stone, a launch pad, for further doctoral research.
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