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    Theatre Practice and Production (MA/PDip)—(full-time)
    Go to National University of Ireland, Galway
    National University of Ireland, Galway

    Theatre Practice and Production (MA/PDip)—(full-time)

    National University of Ireland, Galway

    National University of Ireland, Galway

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    Ireland, Galway

    University RankQS Ranking
    289

    Key Facts

    Program Level

    Master by Course Work

    Study Type

    Full Time

    Delivery

    On Campus

    Course Code

    MA-TPP (MA); PGD-TPP (PDip)

    Campuses

    Main Site

    Program Language

    English

    Start & Deadlines

    Next Intake Deadlines9-Sep-2024
    Apply to this program

    Go to the official application for the university

    Duration 1 year(s)
    Tuition Fee
    EUR 17,780  / year
    Next Intake 9-Sep-2024

    Theatre Practice and Production (MA/PDip)—(full-time)

    About

    Course Overview

    Toxicology is the study of poisons, drawing heavily on life and physical sciences, as well as being an applied practically-based subject. It is designed to acquaint students with the breadth of Toxicology, with a considerable emphasis on its practical application. The first semester consists of a foundation in Pharmacology and Toxicology and their applications. Workshops provide students with a theoretical basis in data handling and interpretation.

    The second semester consists of lectures in advanced topics such as Risk Assessment, Target Organ Toxicity, Reproductive and Regulatory Toxicology. In addition there is more emphasis on laboratory mini-projects (in vivo, in vitro & molecular projects) that introduce students to the practical elements of toxicity testing and data interpretation. There are also a number of written projects on toxicity testing used in the drug industry as well as recent advances in toxicity assays which involve self-directed learning.

    In the third semester, there is a 3-month research project to investigate an aspect of toxicology and deliver a seminar on this area. This involves the student preparing a research proposal, carrying out the lab-based project and preparing a thesis on the findings.

    Programme outcomes include:

    • Demonstrating a detailed knowledge of the principles and concepts of toxicology and pharmacology
    • Demonstrating an in-depth knowledge of the recent developments and applications in the field of toxicology
    • Demonstrating a high skill level in a wide range of laboratory skills for toxicological investigations
    • Communicating experimental findings in toxicology effectively, using a variety of verbal, written and visual means.
    • Designing, conducting, analysing and presenting their original laboratoryâ€based research.

    Scholarships Available
    Find out about our Postgraduate Scholarships here.

    --
    You may also be interested in one of our other Life and Biomedical Sciences postgraduate programmes.

    Applications and Selections

    Applications are made online via the University of Galway Postgraduate Applications System. Selection is based on the candidate's undergraduate marks, as well as their aptitude for the programme following interview.

    Requirements and Assessment

    A variety of different assessment strategies are used, including written examinations, laboratory practicals and mini-project reports, assignments, data-handling computer exercises, experimental reasoning, essays, posters, oral presentations and a research project thesis.

    Key Facts

    Entry Requirements

    Successful students will normally hold at least a Second Class Honours Level 8 degree, or equivalent international qualification, from a diversity of undergraduate disciplines. Students are also considered who have a Level 7 degree, or equivalent international qualification, and three years relevant postgraduate full-time work experience. IELTS score of 6.5 (with not less than 5.5 in any one component).


    Duration

    1 year, full-time

    Next start date

    September 2023

    Average intake

    10

    Closing Date

     Please refer to review/closing dates website.

    ECTS weighting

    90

    Course code

    MSC-MST

    Course Outline

    Programme content (subject to change)

    The programme is divided into three trimesters (each of 30 ECTS) in the following manner:

    Trimester One

    • Introduction to Toxicology: 5 ECTS
    • Applied Toxicology: 5 ECTS
    • Fundamental Concepts in Pharmacology: 5 ECTS
    • Applied Concepts in Pharmacology: 5 ECTS
    • Experimental Methods in Pharmacology: 10 ECTS

    Trimester Two

    • Experimental Toxicology: 15 ECTS
    • Current Topics in Toxicology: 10 ECTS
    • Advanced Toxicology: 5 ECTS

    Trimester Three

    • Toxicology Research Project: 30 ECTS

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    Curriculum Information

    Curriculum information relates to the current academic year (in most cases).
    Course and module offerings and details may be subject to change.

    Glossary of Terms

    Credits
    You must earn a defined number of credits (aka ECTS) to complete each year of your course. You do this by taking all of its required modules as well as the correct number of optional modules to obtain that year's total number of credits.
    Module
    An examinable portion of a subject or course, for which you attend lectures and/or tutorials and carry out assignments. E.g. Algebra and Calculus could be modules within the subject Mathematics. Each module has a unique module code eg. MA140.
    Optional
    A module you may choose to study.
    Required
    A module that you must study if you choose this course (or subject).
    Semester
    Most courses have 2 semesters (aka terms) per year.

    Year 1 (90 Credits)

    Required PM5108: Applied Toxicology


    PM5108: Applied Toxicology

    Semester 1 | Credits: 5

    Self-directed learning module to apply the principles of toxicology to the assessment of toxicological catastrophes, individual toxicants and classes of toxicants

    Learning Outcomes
    1. Collect/collate toxicological data on specific toxicants or classes of toxicants
    2. Interpret toxicological data
    3. Apply knowledge of toxicity assessment including challenges faced in extrapolating risks to man to interpret risk posed by specific toxciants or classes of toxicants
    4. Apply knowledge of the factors affecting toxic responses, specific mechanisms of toxic action, and knowledge of target organ toxicity to specific toxicants or classes of toxicants
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Department-based Assessment (100%)
    Module Director
    • HOWARD OLIVER FEARNHEAD: Research Profile | Email
    Lecturers / Tutors
    • HOWARD OLIVER FEARNHEAD:  Research Profile
    • DECLAN PATRICK MCKERNAN:  Research Profile
    • UNA RYAN:  Research Profile
    The above information outlines module PM5108: and is valid from 2015 onwards.
    Note: Module offerings and details may be subject to change.

    Required PM209: Applied Concepts in Pharmacology


    PM209: Applied Concepts in Pharmacology

    Semester 1 | Credits: 5

    This module introduces students to autonomic pharmacology and drug discovery and development. A combination of lectures, tutorials and workshops will be used.
    (Language of instruction: English)

    Learning Outcomes
    1. Describe the process of adrenergic and cholinergic neurotransmission including receptors and transporters.
    2. Relate drug mechanism of action to autonomic neurotransmission
    3. Describe how new molecular entities are discovered and developed into drug candidates for human clinical trials
    4. Summarize the clinical trial process including adverse effects
    5. Derive dose-response curves for agonists and antagonists in the ANS
    6. Interpret clinical trial data
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (30%)
    • Computer-based Assessment (70%)
    Module Director
    • MAURA GREALY: Research Profile | Email
    Lecturers / Tutors
    • EILÃS DOWD:  Research Profile
    • MAURA GREALY:  Research Profile
    • JOHN KELLY:  Research Profile
    • DECLAN PATRICK MCKERNAN:  Research Profile
    • UNA RYAN:  Research Profile
    Reading List
    1. by Rang, H.P., Dale, Ritter, Flower & Henderson
      Publisher: Churchill Livingstone
    2. by Golan, D.E
    3. by Harvey, R.A
    The above information outlines module PM209: and is valid from 2016 onwards.
    Note: Module offerings and details may be subject to change.

    Required PM208: Fundamental Concepts in Pharmacology


    PM208: Fundamental Concepts in Pharmacology

    Semester 1 | Credits: 5

    This module introduces students to fundamental pharmacological concepts of pharmacodynamics and pharmacokinetics. A combination of lectures, tutorials and workshops will be used.

    Learning Outcomes
    1. describe the main drug targets
    2. interpret dose response curves for agonists, antagonists, inverse agonists
    3. calculate molarities, concentrations, volumes required in making solutions
    4. access and critically analyse and interpret pharmacological data
    5. describe the processes of absorption, distribution, metabolism and excretion for specific drugs
    6. explain the effects of different routes of administration on absorption of drugs, and effects of food and drug interactions on drug disposition
    7. derive pharmacokinetic data and use them to predict clinical properties of drugs
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (30%)
    • Computer-based Assessment (70%)
    Module Director
    • MAURA GREALY: Research Profile | Email
    Lecturers / Tutors
    • EILÃS DOWD:  Research Profile
    • MAURA GREALY:  Research Profile
    • JOHN KELLY:  Research Profile
    • DECLAN PATRICK MCKERNAN:  Research Profile
    • UNA RYAN:  Research Profile
    Reading List
    1. by Rang, H.P., Dale, Ritter, Flower & Henderson
      Publisher: Churchill Livingstone
    2. by Golan, D.E., et al
    3. by Harvey, R.A.
    The above information outlines module PM208: and is valid from 2016 onwards.
    Note: Module offerings and details may be subject to change.

    Required PM311: Introduction to Toxicology


    PM311: Introduction to Toxicology

    Semester 1 | Credits: 5

    A 5ECTS module developed to provide an introduction to Toxicology to third year science students who have an interest in poisons and a background in Pharmacology, Biochemistry, Physiology, Anatomy or Chemistry. The course involves lectures delivered over one semester and is assessed through continuous assessment and a 2 hour written examination at semester's end.
    (Language of instruction: English)

    Learning Outcomes
    1. use the language, terms, and definitions of toxicology
    2. describe the factors affecting toxic responses
    3. describe specific mechanisms of toxic action
    4. apply this knowledge to explain specific examples of target organ toxicity
    5. describe how toxicity assessed and the challenges of risk assessment
    6. collect toxicological information and apply toxicological principles to specific classes of toxicant and specific situations
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (40%)
    • Computer-based Assessment (60%)
    Module Director
    • HOWARD OLIVER FEARNHEAD: Research Profile | Email
    Lecturers / Tutors
    • HOWARD OLIVER FEARNHEAD:  Research Profile
    • DAVID FINN:  Research Profile
    • DECLAN PATRICK MCKERNAN:  Research Profile
    Reading List
    1. by n/a
      Publisher: McGraw-Hill Professional
    2. by n/a
    The above information outlines module PM311: and is valid from 2016 onwards.
    Note: Module offerings and details may be subject to change.

    Required PM5102: Experimental Methods in Pharmacology


    PM5102: Experimental Methods in Pharmacology

    Semester 1 | Credits: 10

    A practical-based module that aims to develop laboratory skills in conjunction with data analysis and interpretation using computer software
    (Language of instruction: English)

    Learning Outcomes
    1. Be proficient in lab skills
    2. Construct graphical representations of data sets
    3. Interpret experimental data
    4. Analyse data using the appropriate methods
    5. Provide rationale for choosing appropriate statistical methods
    6. Critically evaluate scientific data in the literature
    7. Create experimental reports based on the analysis of data sets
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Department-based Assessment (100%)
    Module Director
    • DECLAN PATRICK MCKERNAN: Research Profile | Email
    Lecturers / Tutors
    • JOHN KELLY:  Research Profile
    • DECLAN PATRICK MCKERNAN:  Research Profile
    • AMBROSE O'HALLORAN:  Research Profile
    • UNA RYAN:  Research Profile
    The above information outlines module PM5102: and is valid from 2020 onwards.
    Note: Module offerings and details may be subject to change.

    Required PM5112: Research Project in Toxicology


    PM5112: Research Project in Toxicology

    15 months long | Credits: 30

    This is a 12-week individual laboratory-based research project. The aim of this module is to provide the students with experience of conducting scientific research as well as communicating their research via oral presentation and written dissertation.
    (Language of instruction: English)

    Learning Outcomes
    1. Design scientific experiments to address a specific research question.
    2. Demonstrate technical skill and competency in relevant scientific procedures.
    3. . Work independently, responsibly and safely in the laboratory.
    4. Generate, analyse, depict and critically interpret scientific data.
    5. Critically review relevant historical and state-of-the-art scientific literature.
    6. Communicate scientific findings through appropriate verbal, written and visual means.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Research (100%)
    Module Director
    • HOWARD OLIVER FEARNHEAD: Research Profile | Email
    Lecturers / Tutors
    • HOWARD OLIVER FEARNHEAD:  Research Profile
    • DAVID FINN:  Research Profile
    • DECLAN PATRICK MCKERNAN:  Research Profile
    • UNA RYAN:  Research Profile
    The above information outlines module PM5112: and is valid from 2021 onwards.
    Note: Module offerings and details may be subject to change.

    Required PM5110: Current Topics in Toxicology


    PM5110: Current Topics in Toxicology

    Semester 2 | Credits: 10

    This is a self-directed assignment-based module that aims to develop students' capabilities in data analysis, interpretation and presentation and to familiarise them with recent advances and controversial topics in the field of toxicology.

    Learning Outcomes
    1. . Evaluate the current safety information for a named drug at various stages of its development
    2. Critically analyse the evidence and synthesise an opinion on a controversial topic in toxicology
    3. Develop a research proposal and design experiments to address a project title
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Department-based Assessment (100%)
    Module Director
    • DECLAN PATRICK MCKERNAN: Research Profile | Email
    Lecturers / Tutors
    • HOWARD OLIVER FEARNHEAD:  Research Profile
    • JOHN KELLY:  Research Profile
    • DECLAN PATRICK MCKERNAN:  Research Profile
    • UNA RYAN:  Research Profile
    The above information outlines module PM5110: and is valid from 2015 onwards.
    Note: Module offerings and details may be subject to change.

    Required PM5111: Advanced Toxicology


    PM5111: Advanced Toxicology

    Semester 2 | Credits: 5

    This module is designed to further develop knowledge and understanding of advanced topics in toxicology.
    (Language of instruction: English)

    Learning Outcomes
    1. To critcally assess and discuss recent advances in the filed of Toxicology
    2. To Interpret toxicological data from the literature on specific toxicants and assess its potential risk to human health or the environment
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Department-based Assessment (100%)
    Module Director
    • HOWARD OLIVER FEARNHEAD: Research Profile | Email
    Lecturers / Tutors
    • HOWARD OLIVER FEARNHEAD:  Research Profile
    • JOHN KELLY:  Research Profile
    • DECLAN PATRICK MCKERNAN:  Research Profile
    • UNA RYAN:  Research Profile
    Reading List
    1. by n/a
      Publisher: Publisher: McGraw-Hill Professional
    2. by n/a
      Publisher: lnforma Healthcare;
    The above information outlines module PM5111: and is valid from 2022 onwards.
    Note: Module offerings and details may be subject to change.

    Required PM5109: Experimental Toxiocology


    PM5109: Experimental Toxiocology

    Sem

    Course Outline

    Students take core modules to situate their learning in theatre practice and production. They then build on these through a choice of optional modules, which include a focus on performance, directing, dramaturgy, applied theatre, Irish theatre history, and more. 

    Students also complete a minor dissertation which can include a practice-as-research component.

    Curriculum Information

    Curriculum information relates to the current academic year (in most cases).
    Course and module offerings and details may be subject to change.

    Glossary of Terms

    Credits
    You must earn a defined number of credits (aka ECTS) to complete each year of your course. You do this by taking all of its required modules as well as the correct number of optional modules to obtain that year's total number of credits.
    Module
    An examinable portion of a subject or course, for which you attend lectures and/or tutorials and carry out assignments. E.g. Algebra and Calculus could be modules within the subject Mathematics. Each module has a unique module code eg. MA140.
    Optional
    A module you may choose to study.
    Required
    A module that you must study if you choose this course (or subject).
    Semester
    Most courses have 2 semesters (aka terms) per year.

    Year 1 (90 Credits)

    Required DT6100: Dissertation


    DT6100: Dissertation

    15 months long | Credits: 30

    Students carry out a research project, through theatre practice and/or conventional library or archive-based research. They will produce a work of original research on any aspect of Drama, Theatre and/or live performance.
    (Language of instruction: English)

    Learning Outcomes
    1. Carry out an independent research project on a topic in the area of drama, theatre, performance
    2. Access and analyse relevant research materials in print and digital format in libraries, public institutions, digital resources, and/or archives
    3. Make use of research conventions in relation to citation and bibliography, in line with best international practice.
    4. write an extended work of up to 15,000 words on an original topic.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • KAREN M WALSH: Research Profile | Email
    Lecturers / Tutors
    • PATRICK LONERGAN:  Research Profile
    • MARIANNE NÃ CHINNÉIDE:  Research Profile
    • DEIRDRE QUINN:  Research Profile
    • KAREN M WALSH:  Research Profile
    • CHARLOTTE MCIVOR:  Research Profile
    • MIRIAM HAUGHTON:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    • IAN WALSH:  Research Profile
    The above information outlines module DT6100: and is valid from 2018 onwards.
    Note: Module offerings and details may be subject to change.

    Required DT6130: Critical Methods in Drama, Theatre and Performance


    DT6130: Critical Methods in Drama, Theatre and Performance

    Semester 1 | Credits: 10

    This course aims to develop students critical approaches to writing about theatre and performance. Different modes of ‘seeing, analysing and writing on performance from semiotics to reception theory will be introduced and examined. Students will confront in class discussion and in essays issues related to writing on theatre such as the role of the critic, gender, globalisation and technology as well as the theoretical perspectives of postmodernism, psychoanalysis and theatre historiography. There will be visits to the theatre regularly (tickets will be provided) and students will be asked to write reviews and performance analysis of these productions. The course is ideally suited to those who wish to develop their writing and research skills, or to people who wish to develop careers in theatre criticism or research.
    (Language of instruction: English)

    Learning Outcomes
    1. Survey approaches to analytical writing in the field of theatre and performance studies.
    2. Develop skills of literary and theoretical close-reading working with texts and performances in the field of theatre and performance studies.
    3. Experiment with a range of modes of analytical writing in the field of theatre and performance studies.
    4. Confront through class discussion and essay assignments the role of the critic, gender, globalisation and technology as well as the theoretical perspectives of postmodernism, psychoanalysis and theatre historiography.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • IAN WALSH: Research Profile | Email
    Lecturers / Tutors
    • CHARLOTTE MCIVOR:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    • IAN WALSH:  Research Profile
    Reading List
    1. by Christopher B. Balme
      ISBN: 0521672236.
      Publisher: Cambridge University Press
    2. by Susan Bennett
      ISBN: 0415157234.
      Publisher: Psychology Press
    3. by Erika Fischer-Lichte
      ISBN: 0415458560.
    The above information outlines module DT6130: and is valid from 2019 onwards.
    Note: Module offerings and details may be subject to change.

    Required DT6123: Playwright's Workshop I


    DT6123: Playwright's Workshop I

    Semester 1 | Credits: 10

    A weekly writers workshop in which students will explore fundamental dramaturgical playwriting strategies and structures through analysis of plays from different genres and in-class writing tasks.
    (Language of instruction: English)

    Learning Outcomes
    1. Analyse and identify dramaturgical structures as well as particular genre specific theatrical devises
    2. Develop prompts for starting and completing written work
    3. Plan, structure and complete original short play
    4. Critically reflect on writing and situate it within established genres
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • CHARLOTTE MCIVOR: Research Profile | Email
    Lecturers / Tutors
    • PATRICK LONERGAN:  Research Profile
    • DEARBHLA MOONEY:  Research Profile
    • IRENE OMALLEY:  Research Profile
    • CHARLOTTE MCIVOR:  Research Profile
    • MIRIAM HAUGHTON:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    • IAN WALSH:  Research Profile
    Reading List
    1. by Steve Waters
      Publisher: Nick Hern Books
    2. by David Edgar
      Publisher: Nick Hern
    3. by Noel Greig
      Publisher: Routledge
    The above information outlines module DT6123: and is valid from 2020 onwards.
    Note: Module offerings and details may be subject to change.

    Required DT6135: Playwright's Workshop II: Dramaturgical Approaches to Craft


    DT6135: Playwright's Workshop II: Dramaturgical Approaches to Craft

    Semester 2 | Credits: 10

    This workshop based module explores special topics in playwriting strategies and dramaturgical approaches which may include but are not limited to adaptation, documentary/verbatim theatre, and dramatic writing for the radio. By working through the challenges of different genres and writing processes, playwrights will stretch their skills in a collaborative group format. Students should be prepared to read work aloud in class and will learn to critique each others work.

    Learning Outcomes
    1. Chart and adapt dramaturgical structures across a range of different styles of theatre
    2. Complete a short play( 20 minutes in duration) and a longer play (at least 40 minutes in duration).
    3. Critically reflect on their playwriting practice
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • EMMA BRINTON: Research Profile | Email
    Lecturers / Tutors
    • MIRIAM HAUGHTON:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    • IAN WALSH:  Research Profile
    Reading List
    1. by Steve Waters
    2. by David Edgar
    3. by Christopher Volger
    The above information outlines module DT6135: and is valid from 2022 onwards.
    Note: Module offerings and details may be subject to change.

    Optional DT6131: Curation 1


    DT6131: Curation 1

    Semester 1 | Credits: 10

    This module involves a practical interaction with the universities collection of archives and art collection and an exploration of key case studies from around the world. There will be visits to key cultural venues.
    (Language of instruction: English)

    Learning Outcomes
    1. Identify a range of roles and professional areas in the field of curation.
    2. Exhibit knowledge of the scope and interrelationship of major organisations in the field of curatorial arts practice in and outside of Ireland.
    3. Create and implement a plan for individual professional development in the fields of curation in the field of creative arts.
    4. Critically reflect on a site visit with an organization in the field of curatorial arts practice.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • Catherine Morris: Research Profile | Email
    Lecturers / Tutors
    • MARIANNE NÃ CHINNÉIDE:  Research Profile
    • CHARLOTTE MCIVOR:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    • IAN WALSH:  Research Profile
    Reading List
    1. by Hans-Ulrich Obrist,Asad Raz̤Ä
      ISBN: 0241950961.
    2. by Bismarck, Beatrice von, Jörn Schafaff and Thomas Weski (eds),
      ISBN: 978193410597.
      Publisher: Sternberg Press
    The above information outlines module DT6131: and is valid from 2019 onwards.
    Note: Module offerings and details may be subject to change.

    Optional EN6118: Digital Literature, Arts, and Creative Practice


    EN6118: Digital Literature, Arts, and Creative Practice

    Semester 1 | Credits: 10

    Postgraduate introduction to digital creative practice in literature and other arts. The course will explore the ways in which new technologies have been used in the creation of born-digital works of literature and other arts, and the wider cultural impact of these developments.
    (Language of instruction: English)

    Learning Outcomes
    1. Describe how new media technologies have been used in the processes of literary and other creative practices.
    2. Articulate a comprehensive picture of the expanding field of born-digital creative work
    3. Analyse and critique a range of aesthetic practices associated with digital arts and literature.
    4. Describe the theoretical and methodological implications of digital creative practice.
    5. Employ a selection of digital tools and platforms as a form of creative and critical inquiry.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • KAREN M WALSH: Research Profile | Email
    Lecturers / Tutors
    • DEARBHLA MOONEY:  Research Profile
    • SEAN RYDER:  Research Profile
    • PADRAIC KILLEEN:  Research Profile
    Reading List
    1. by Espen J. Aarseth
      ISBN: 0801855799.
      Publisher: Johns Hopkins University Press
    2. by Jay David Bolter
      ISBN: 0805829199.
      Publisher: Lawrence Erlbaum Associates
    3. by C. T. Funkhouser
      ISBN: 0817354220.
      Publisher: University of Alabama Press
    4. by Roberto Simanowski
      ISBN: 0816667381.
      Publisher: Univ Of Minnesota Press
    The above information outlines module EN6118: and is valid from 2020 onwards.
    Note: Module offerings and details may be subject to change.

    Optional DT6112: Advanced Theatre Production Practicum


    DT6112: Advanced Theatre Production Practicum

    12 months long | Credits: 10

    This module integrates MA students into key theatrical production roles on productions staged with BA students in collaboration with staff or guest artist directors. Students contribute centrally to performance responsibilities related to acting, direction, dramaturgy, design and/or management that necessitate peer management and the creation of original content (including material for performance or performance/rehearsal management plans).
    (Language of instruction: English)

    Learning Outcomes
    1. Execute key responsibilities involved in specialized theatre roles such as stage manager, actor, designer.
    2. Administer one or more defined leadership roles within a live theatrical production from rehearsal through public performance as measured by key factors including management of peers, size of role, and independence of design process and execution as possible.
    3. Lead and organise innovative solutions to production problems.
    4. Supervise the delegation of responsibility for solving production problems to peers in consultation with team members and staff in artistic roles.
    5. Analyse theatre techniques and design materials including light, sound and costume in relationship to a complex and developed understanding of theatre history through engagement with independent research relevant to the production in final research essay.
    6. Articulate and probe the relationship between practical experience learned from previous production experiences with challenges and successes experienced during this process.
    7. Track and analyse the evolution of their individual and independently developed production concept such as original design, staging of a scene or movement sequence, or execution of a large acting role with demonstrable originality over the course of the entire process.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • AOIFE HARRINGTON: Research Profile | Email
    Lecturers / Tutors
    • PATRICK LONERGAN:  Research Profile
    • KAREN M WALSH:  Research Profile
    • MIRIAM HAUGHTON:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    Reading List
    1. by Katie Mitchell
      ISBN: 0415404398.
      Publisher: Routledge
    2. by Peter Brook
      ISBN: 0141189223.
      Publisher: Penguin Books Ltd (UK)
    3. by Gail Pallin
      ISBN: 1848420145.
      Publisher: Nick Hern
    4. by Joslin McKinney, Philip Butterworth
      ISBN: 0521612322.
      Publisher: Cambridge, UK ; Cambridge University Press, 2009.
    5. by Paul Allain and Jen Harvie
      ISBN: 0415257212.
      Publisher: London ; Routledge, 2006.
    The above information outlines module DT6112: and is valid from 2020 onwards.
    Note: Module offerings and details may be subject to change.

    Optional DT6113: Applied Dramaturgy


    DT6113: Applied Dramaturgy

    Semester 2 | Credits: 10

    This module introduces students to dramaturgy as a discipline with varied historical roots and as a practice that is diverse, sophisticated, and vital to contemporary theatre. It aims to equip students with the theoretical underpinnings and the intellectual tools with which to contribute confidently and effectively as dramaturgs in a rehearsal process (whether it be on a classic or modernist play, or in a devised production). Students complete the module by partnering with students mounting live performance projects for the module "Performance Lab."
    (Language of instruction: English)

    Learning Outcomes
    1. Investigate the range of roles and functions required of a dramaturge in both historical and contemporary contexts.
    2. Analyse the role and function of a dramaturge on a range of theatre and performance projects arising out of a variety of institutional contexts and aesthetic approaches.
    3. Articulate the difference between structural, production and institutional dramaturgy.
    4. Evaluate the practice of dramaturgy as applicable to other roles in the theatre including director, playwright, designer and actor among others.
    5. Execute a variety of dramaturgical roles and functions through class exercises, assignments and projects (including engagement with student projects from the module 'Performance Lab').
    6. Negotiate the risks and demands of collaborative work through the execution of dramaturgical work on assigned student peer performance projects.
    7. Critically assess your personal practice as a dramaturge in terms of historical and theoretical fluency, skills at collaborating with other artists and your use and manipulation of supporting resources in engaging with your assigned student peer performance project.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • EMMA BRINTON: Research Profile | Email
    Lecturers / Tutors
    • PATRICK LONERGAN:  Research Profile
    • KAREN M WALSH:  Research Profile
    • MIRIAM HAUGHTON:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    • THOMAS CONWAY:  Research Profile
    Reading List
    1. by Magda Romanska, ed.
    2. by edited by Katalin Trencsényi and Bernadette Cochrane.
      ISBN: 1408177080.
      Publisher: London; Bloomsbury
    3. by Cathy Turner, Synne Behrndt
      ISBN: 1403996563.
      Publisher: Palgrave Macmillan
    4. by Mary Luckhurst
      ISBN: 0521081882.
      Publisher: Cambridge University Press
    5. by Scott R. Irelan, Anne Fletcher, Julie Felise Dubiner
      ISBN: 1585103322.
      Publisher: Focus Publishing/R. Pullins Co.
    The above information outlines module DT6113: and is valid from 2019 onwards.
    Note: Module offerings and details may be subject to change.

    Optional DT6132: Advanced Producing and Curation


    DT6132: Advanced Producing and Curation

    Semester 2 | Credits: 10

    Disciplines

    Social Sciences

    College of Arts

    & Celtic Studies

    Requirements

    Entry Requirements

    Bachelors Degree  

    Career

    Course Overview

    Note: We are currently undergoing a process of restructuring our MA offerings in Drama for 2023–24 and this programme will now be offered as a designated pathway within the MA (Drama and Theatre Studies). Please contact the course director for further information.

    The MA in Theatre Practice and Production prepares students for professional-level work in the theatre and other creative industries. Students take modules in many different aspects of theatre practice, including ensemble performance, direction, and performance. An optional internship with an Irish theatre company forms part of the course. During the summer months, students complete a practice-based research project in acting, playwriting, direction, devising or design—which is used for their final dissertation.

    As a student at the ODonoghue Centre, the world-leading centre for study and research in Irish theatre and performance, you will benefit from our continuing links and partnerships with many Irish theatre companies, including Druid, the Abbey (Irelands national theatre), the street theatre company Macnas and the world-renowned Galway International Arts Festival. Our intensive programme of talks by leading artists and scholars puts you directly into conversations about the state of theatre now. 



    Central to the programme is the work of the Druid Academy. The course functions as an intensive laboratory that is student-directed and that enables close collaboration between theatre practitioners and academics. It allows students to benefit from University of Galways extraordinary partnerships with Irish theatre companies, notably Druid Theatre – recently described by the New York Times as “one of the worlds great theater companiesâ€. Students work directly with the Druid Director-in-Residence and participate in master classes and workshops with members of the company including artistic director Garry Hynes, the first woman to win a Tony Award for Directing.

    Scholarships available
    Find out about our Postgraduate Scholarships here.

    Applications and Selections

    Applications are made online via the University of Galway Postgraduate Applications System. 

    Who Teaches this Course

    • Professor Patrick Lonergan
    • Dr Charlotte McIvor
    • Dr Miriam Haughton
    • Garry Hynes, Artistic Director of Druid and Associate Professor
    • Thomas Conway, Druid Director-in-Residence
    • Max Hafler

    Key Facts

    Entry Requirements

    The programme is intended for graduates with at least a Second Class Honours Grade 2 (H2.2 or GPA 3.0) degree, a writing sample (5–6 pages)—academic essay, theatre reviews, excerpt from play, directors notebook, and so on—a personal statement outlining suitability for and interest in the programme, and names and contact details of two references.

    Entry for candidates with significant relevant experience may be possible. Applicants who do not meet the minimum entry requirements may be admitted via a qualifying exam if they have relevant professional experience, or be admitted to the PDip. Students who do not meet the honours degree requirement but have a Level 7 (Merit 2) degree may be admitted to the PDip course, with the possibility of progressing to the MA if they receive a minimum of 60% in their course work during the year.


    Duration

    1 year, full-time

    Next start date

    NOT ON OFFER for entry 2023

    Average intake

    15

    Closing Date

     

    ECTS weighting

    90

    Course code

    MA-TPP (MA); PGD-TPP (PDip)

    Course Outline

    Students take core modules to situate their learning in theatre practice and production. They then build on these through a choice of optional modules, which include a focus on performance, directing, dramaturgy, applied theatre, Irish theatre history, and more. 

    Students also complete a minor dissertation which can include a practice-as-research component.

    Curriculum Information

    Curriculum information relates to the current academic year (in most cases).
    Course and module offerings and details may be subject to change.

    Glossary of Terms

    Credits
    You must earn a defined number of credits (aka ECTS) to complete each year of your course. You do this by taking all of its required modules as well as the correct number of optional modules to obtain that year's total number of credits.
    Module
    An examinable portion of a subject or course, for which you attend lectures and/or tutorials and carry out assignments. E.g. Algebra and Calculus could be modules within the subject Mathematics. Each module has a unique module code eg. MA140.
    Optional
    A module you may choose to study.
    Required
    A module that you must study if you choose this course (or subject).
    Semester
    Most courses have 2 semesters (aka terms) per year.

    Year 1 (90 Credits)

    Required DT6100: Dissertation


    DT6100: Dissertation

    15 months long | Credits: 30

    Students carry out a research project, through theatre practice and/or conventional library or archive-based research. They will produce a work of original research on any aspect of Drama, Theatre and/or live performance.
    (Language of instruction: English)

    Learning Outcomes
    1. Carry out an independent research project on a topic in the area of drama, theatre, performance
    2. Access and analyse relevant research materials in print and digital format in libraries, public institutions, digital resources, and/or archives
    3. Make use of research conventions in relation to citation and bibliography, in line with best international practice.
    4. write an extended work of up to 15,000 words on an original topic.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • KAREN M WALSH: Research Profile | Email
    Lecturers / Tutors
    • PATRICK LONERGAN:  Research Profile
    • MARIANNE NÃ CHINNÉIDE:  Research Profile
    • DEIRDRE QUINN:  Research Profile
    • KAREN M WALSH:  Research Profile
    • CHARLOTTE MCIVOR:  Research Profile
    • MIRIAM HAUGHTON:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    • IAN WALSH:  Research Profile
    The above information outlines module DT6100: and is valid from 2018 onwards.
    Note: Module offerings and details may be subject to change.

    Required DT6130: Critical Methods in Drama, Theatre and Performance


    DT6130: Critical Methods in Drama, Theatre and Performance

    Semester 1 | Credits: 10

    This course aims to develop students critical approaches to writing about theatre and performance. Different modes of ‘seeing, analysing and writing on performance from semiotics to reception theory will be introduced and examined. Students will confront in class discussion and in essays issues related to writing on theatre such as the role of the critic, gender, globalisation and technology as well as the theoretical perspectives of postmodernism, psychoanalysis and theatre historiography. There will be visits to the theatre regularly (tickets will be provided) and students will be asked to write reviews and performance analysis of these productions. The course is ideally suited to those who wish to develop their writing and research skills, or to people who wish to develop careers in theatre criticism or research.
    (Language of instruction: English)

    Learning Outcomes
    1. Survey approaches to analytical writing in the field of theatre and performance studies.
    2. Develop skills of literary and theoretical close-reading working with texts and performances in the field of theatre and performance studies.
    3. Experiment with a range of modes of analytical writing in the field of theatre and performance studies.
    4. Confront through class discussion and essay assignments the role of the critic, gender, globalisation and technology as well as the theoretical perspectives of postmodernism, psychoanalysis and theatre historiography.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • IAN WALSH: Research Profile | Email
    Lecturers / Tutors
    • CHARLOTTE MCIVOR:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    • IAN WALSH:  Research Profile
    Reading List
    1. by Christopher B. Balme
      ISBN: 0521672236.
      Publisher: Cambridge University Press
    2. by Susan Bennett
      ISBN: 0415157234.
      Publisher: Psychology Press
    3. by Erika Fischer-Lichte
      ISBN: 0415458560.
    The above information outlines module DT6130: and is valid from 2019 onwards.
    Note: Module offerings and details may be subject to change.

    Required DT6123: Playwright's Workshop I


    DT6123: Playwright's Workshop I

    Semester 1 | Credits: 10

    A weekly writers workshop in which students will explore fundamental dramaturgical playwriting strategies and structures through analysis of plays from different genres and in-class writing tasks.
    (Language of instruction: English)

    Learning Outcomes
    1. Analyse and identify dramaturgical structures as well as particular genre specific theatrical devises
    2. Develop prompts for starting and completing written work
    3. Plan, structure and complete original short play
    4. Critically reflect on writing and situate it within established genres
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • CHARLOTTE MCIVOR: Research Profile | Email
    Lecturers / Tutors
    • PATRICK LONERGAN:  Research Profile
    • DEARBHLA MOONEY:  Research Profile
    • IRENE OMALLEY:  Research Profile
    • CHARLOTTE MCIVOR:  Research Profile
    • MIRIAM HAUGHTON:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    • IAN WALSH:  Research Profile
    Reading List
    1. by Steve Waters
      Publisher: Nick Hern Books
    2. by David Edgar
      Publisher: Nick Hern
    3. by Noel Greig
      Publisher: Routledge
    The above information outlines module DT6123: and is valid from 2020 onwards.
    Note: Module offerings and details may be subject to change.

    Required DT6135: Playwright's Workshop II: Dramaturgical Approaches to Craft


    DT6135: Playwright's Workshop II: Dramaturgical Approaches to Craft

    Semester 2 | Credits: 10

    This workshop based module explores special topics in playwriting strategies and dramaturgical approaches which may include but are not limited to adaptation, documentary/verbatim theatre, and dramatic writing for the radio. By working through the challenges of different genres and writing processes, playwrights will stretch their skills in a collaborative group format. Students should be prepared to read work aloud in class and will learn to critique each others work.

    Learning Outcomes
    1. Chart and adapt dramaturgical structures across a range of different styles of theatre
    2. Complete a short play( 20 minutes in duration) and a longer play (at least 40 minutes in duration).
    3. Critically reflect on their playwriting practice
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • EMMA BRINTON: Research Profile | Email
    Lecturers / Tutors
    • MIRIAM HAUGHTON:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    • IAN WALSH:  Research Profile
    Reading List
    1. by Steve Waters
    2. by David Edgar
    3. by Christopher Volger
    The above information outlines module DT6135: and is valid from 2022 onwards.
    Note: Module offerings and details may be subject to change.

    Optional DT6131: Curation 1


    DT6131: Curation 1

    Semester 1 | Credits: 10

    This module involves a practical interaction with the universities collection of archives and art collection and an exploration of key case studies from around the world. There will be visits to key cultural venues.
    (Language of instruction: English)

    Learning Outcomes
    1. Identify a range of roles and professional areas in the field of curation.
    2. Exhibit knowledge of the scope and interrelationship of major organisations in the field of curatorial arts practice in and outside of Ireland.
    3. Create and implement a plan for individual professional development in the fields of curation in the field of creative arts.
    4. Critically reflect on a site visit with an organization in the field of curatorial arts practice.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • Catherine Morris: Research Profile | Email
    Lecturers / Tutors
    • MARIANNE NÃ CHINNÉIDE:  Research Profile
    • CHARLOTTE MCIVOR:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    • IAN WALSH:  Research Profile
    Reading List
    1. by Hans-Ulrich Obrist,Asad Raz̤Ä
      ISBN: 0241950961.
    2. by Bismarck, Beatrice von, Jörn Schafaff and Thomas Weski (eds),
      ISBN: 978193410597.
      Publisher: Sternberg Press
    The above information outlines module DT6131: and is valid from 2019 onwards.
    Note: Module offerings and details may be subject to change.

    Optional EN6118: Digital Literature, Arts, and Creative Practice


    EN6118: Digital Literature, Arts, and Creative Practice

    Semester 1 | Credits: 10

    Postgraduate introduction to digital creative practice in literature and other arts. The course will explore the ways in which new technologies have been used in the creation of born-digital works of literature and other arts, and the wider cultural impact of these developments.
    (Language of instruction: English)

    Learning Outcomes
    1. Describe how new media technologies have been used in the processes of literary and other creative practices.
    2. Articulate a comprehensive picture of the expanding field of born-digital creative work
    3. Analyse and critique a range of aesthetic practices associated with digital arts and literature.
    4. Describe the theoretical and methodological implications of digital creative practice.
    5. Employ a selection of digital tools and platforms as a form of creative and critical inquiry.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • KAREN M WALSH: Research Profile | Email
    Lecturers / Tutors
    • DEARBHLA MOONEY:  Research Profile
    • SEAN RYDER:  Research Profile
    • PADRAIC KILLEEN:  Research Profile
    Reading List
    1. by Espen J. Aarseth
      ISBN: 0801855799.
      Publisher: Johns Hopkins University Press
    2. by Jay David Bolter
      ISBN: 0805829199.
      Publisher: Lawrence Erlbaum Associates
    3. by C. T. Funkhouser
      ISBN: 0817354220.
      Publisher: University of Alabama Press
    4. by Roberto Simanowski
      ISBN: 0816667381.
      Publisher: Univ Of Minnesota Press
    The above information outlines module EN6118: and is valid from 2020 onwards.
    Note: Module offerings and details may be subject to change.

    Optional DT6112: Advanced Theatre Production Practicum


    DT6112: Advanced Theatre Production Practicum

    12 months long | Credits: 10

    This module integrates MA students into key theatrical production roles on productions staged with BA students in collaboration with staff or guest artist directors. Students contribute centrally to performance responsibilities related to acting, direction, dramaturgy, design and/or management that necessitate peer management and the creation of original content (including material for performance or performance/rehearsal management plans).
    (Language of instruction: English)

    Learning Outcomes
    1. Execute key responsibilities involved in specialized theatre roles such as stage manager, actor, designer.
    2. Administer one or more defined leadership roles within a live theatrical production from rehearsal through public performance as measured by key factors including management of peers, size of role, and independence of design process and execution as possible.
    3. Lead and organise innovative solutions to production problems.
    4. Supervise the delegation of responsibility for solving production problems to peers in consultation with team members and staff in artistic roles.
    5. Analyse theatre techniques and design materials including light, sound and costume in relationship to a complex and developed understanding of theatre history through engagement with independent research relevant to the production in final research essay.
    6. Articulate and probe the relationship between practical experience learned from previous production experiences with challenges and successes experienced during this process.
    7. Track and analyse the evolution of their individual and independently developed production concept such as original design, staging of a scene or movement sequence, or execution of a large acting role with demonstrable originality over the course of the entire process.
    Assessments

    This module's usual assessment procedures, outlined below, may be affected by COVID-19 countermeasures. Current students should check Blackboard for up-to-date assessment information.

    • Continuous Assessment (100%)
    Module Director
    • AOIFE HARRINGTON: Research Profile | Email
    Lecturers / Tutors
    • PATRICK LONERGAN:  Research Profile
    • KAREN M WALSH:  Research Profile
    • MIRIAM HAUGHTON:  Research Profile
    • AOIFE HARRINGTON:  Research Profile
    • EMMA BRINTON:  Research Profile
    Reading List
    1. by Katie Mitchell
      ISBN: 0415404398.
      Publisher: Routledge
    2. by Peter Brook
      ISBN: 0141189223.
      Publisher: Penguin Books Ltd (UK)
    3. by Gail Pallin
      ISBN: 1848420145.
      Publisher: Nick Hern
    4. by Joslin McKinney, Philip Butterworth
      ISBN: 0521612322.
      Publisher: Cambridge, UK ; Cambridge University Press, 2009.
    5. by Paul Allain and Jen Harvie
      ISBN: 0415257212.

    Fee Information

    Tuition Fee

    EUR 17,780  / year

    How to Apply

    Postgraduate Applications

    For most postgraduate courses (other than the Postgraduate Masters in Education), click here to make your application. Any courses not listed here have an alternate application instructions on their course page.

    PME/MGO (Postgraduate Masters in Education)

    Postgraduate Masters in Education applicants (PME/MGO) should apply through PAC.


    How Do I Apply?

    You can apply online for most postgraduate courses here

    Entry Requirements

    Entry requirements vary for each programme. Check individual programme webpages for specific requirements.

    Application Instructions

    You will need an active email account to use the website and you'll be guided through the system, step by step, until you complete the online form.

    Folllow the application tips for how to apply advice.

    Browse the FAQ's section for further guidance. 

    Application Fee

    The cost of applying is €35 and is a non-refundable application fee.

    How Do I Submit My Supporting Documentation?

    You must upload to your application electronically. You will be given instructions on this aspect once you submit your application.

    You can see online in advance what supporting documents you're likely to be asked for. 


    Instructions for Research Applications

    Finding a Research Supervisor

    Before making an online application, we advise that you first consult with potential academic supervisors at University of Galway. You must contact the research institute or centre that you're interested in studying at or working for. They will let you know who the available supervisors are, what their research interests are, and anything else you need to know. Our online portal 1 should also be of use.

    The following links will direct you to the research areas within the university:

    • Colleges & Schools
    • Research Institutes, Centres, and Units

    Timetable

    Assessment Dates for Applications

    Each postgraduate taught programme has an initial date indicating when applications should be submitted. For details on these dates, please check here.

    Unsuccessful Applications

    If your application has been unsuccessful, you can find out why by contacting the relevant Programme Director or College Office directly for more information.

    National University of Ireland, Galway

    Theatre Practice and Production (MA/PDip)—(full-time)

    National University of Ireland, Galway

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    Ireland,

    Galway

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