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    Conservation of Fine Art (Easel Paintings) MA
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    Northumbria University

    Conservation of Fine Art (Easel Paintings) MA

    Northumbria University
    University RankQS Ranking
    537

    Key Facts

    Program Level

    Master by Course Work

    Study Type

    Full Time

    Delivery

    On Campus

    Campuses

    Newcastle

    Northumbria University

    Program Language

    English

    Start & Deadlines

    Next Intake Deadlines
    Apply to this program

    Go to the official application for the university

    Duration 2 year(s)
    Tuition Fee
    GBP 41,900  / year(s)

    Conservation of Fine Art (Easel Paintings) MA

    About

    The MA Conservation of Fine Art programme (Easel Paintings) will provide you all the knowledge and skills necessary for a career as an art conservator.

    This postgraduate programme aims to provide you with advanced knowledge and skills in both practice and research for the conservation of easel paintings. Northumbria University’s Conservation of Fine Art MA is the only Master of Arts programme in the UK that offers the specialisms in both the conservation of Easel Painting or Works of Art on Paper.

    Our Conservation of Fine Art Masters programme aims to develop your skills in critical awareness, research, ethics and philosophy, art history, conservation science and the care of collections, in addition to honing the meticulous practical skills necessary to become a conservator.

    It is the combination of meticulous practical skill, a sound knowledge of science, and passion for the art and art history that makes this Masters programme of interest to those from both a science and arts background.

    Integrating a mix of studio practice, science and art history, the programme covers a range of subjects. You will study studio practice, conservation theory and ethics, science, art history and technical art history, preventive conservation and research skills.

    The Conservation of Fine Art MA Easel Painings is a vocational programme and on graduation you will have all the highly specialised knowledge and skills to formally enter the conservation profession.

    In order to broaden your cultural perspective and enhance your practical learning experience, you will also have the opportunity to carry out a placement in the Summer recess. Students carry out placements in institutions in the UK and globally; a number of hosting institutions over the years have included the British Museum, the National Museum of Australia, Royal Ontario Museum Tate as well as a number of private conservation studios.

    We welcome applications from students from a wide range of academic backgrounds. Students come from a range of backgrounds including Fine Art, Art History and the Sciences.

    You may also be interested in Conservation of Fine Art (Works of Art on Paper), please click here for more information.

    If you’d like to browse what other postgraduate programmes we offer or have any queries, please get in touch.

    What can I expect from the Easel Painting specialism?

    The role of the easel paintings conservator involves the general care, protection, repair and cleaning of works of art in oil, egg tempera, distemper, acrylic, or other media. This includes works of art on a great variety of supports, including canvas, board, wood panel and metals. A professional easel painting conservator could be involved with works of art as diverse as early medieval religious images to large contemporary artefacts, often in mixed media.

    Extremely high levels of practical skill and intellectual understanding are required for both the treatment and analysis of historical and technical aspects of paintings. Detailed examination and technical interpretation of works of art forms the basis of working practice, enabling the professional paintings conservator to make informed treatment decisions. The collation and dissemination of historical and technical data stems from an in-depth understanding of the subject.

    Opportunities for employment can be found in both the public sector, in museums and galleries, as well as within private studios. Professional easel painting conservators often liaise closely with a range of museum staff, including front of house, curatorial and interpretation officers, when preparing individual paintings or collections for exhibition, display, loan or long-term storage. Other diverse aspects of the work of an easel painting conservator might include preparing paintings for transportation, couriering works, assessing environmental conditions, surveying collections, report writing, planning and tendering for work, carrying out research and public speaking.

    What is a ‘cultural partnership’ and how will it support my learning?

    Cultural partnerships are when institutions work together to promote art, traditions, or values. At Northumbria, this includes museums, charities, and other education partners teaming up to create an enhanced curriculum designed to support your learning experience and employability. These partnerships help you:

    • Showcase skills and innovation
    • Attend events such as masterclasses and workshops
    • Access to archives
    • Gain experiential learning opportunities, such as working on live briefs.
    • Network with key employers
    • Unlock potential placement opportunities, during or beyond your studies.

    Students studying Conservation of Fine Art will benefit directly from our education partnership with North East Museums. This may involve gallery and venue tours around the city.

    Requirements

    Entry Requirements

    Entry Requirements 2025/26

    Standard Entry

    Applicants should normally have:

    A minimum of a 2:1 honours degree in a related subject such Fine Art, Art History, Conservation, or Applied Sciences, including Chemistry, Physics, Biology, Forensic Science, Polymer Science or Chemical Engineering. although applicants from other related fields will also be considered.

    Applicants with science backgrounds must have interest in learning about practical art, and arts graduates should have minimum grade 7 or higher in GCSE Chemistry or 65% or above in the Chemistry for Conservators’ Certificate from the International Academic Projects correspondence course.

    Applicants are required to have sound colour vision, manual dexterity, logical thought and the ability to apply theoretical knowledge to changing practical situations. Applicants should also appreciate the integrity of works of art and have a sensitivity of approach, along with a calm temperament and infinite patience.

    International qualifications:

    If you have studied a non UK qualification, you can see how your qualifications compare to the standard entry criteria, by selecting the country that you received the qualification in, from our country pages. Visit www.northumbria.ac.uk/yourcountry

    English language requirements:

    International applicants are required to have a minimum overall IELTS (Academic) score of 6.5 with 5.5 in each component (or approved equivalent*).

    *The university accepts a large number of UK and International Qualifications in place of IELTS. You can find details of acceptable tests and the required grades you will need in our English Language section. Visit www.northumbria.ac.uk/englishqualifications

    Career

    This programme has been developed to provide all the skills and knowledge required to begin a career in Fine Art Conservation. At Northumbria there are also many additional opportunities available to further enhance your career prospects. 

    Throughout the duration of the programme, you will develop employability skills, not only as a conservation practitioner in your chosen specialism, but through participation in seminars and class discussions where you will develop important ‘soft skills’, that will enable you to take the first step in your career as a conservator. Northumbria University is committed to enhancing employability of its students by supporting students in their career journey while on the programme and beyond. In addition to completing a professional placement to further enhance your development, students have the opportunity to present their own research at the annual Gerry Hedley Student Symposium organised by the conservation departments at Northumbria University, the Courtauld Institute, London and the Hamilton Kerr Institute, University of Cambridge. 

    Staff have a strong professional network which, together with a worldwide cohort of alumni, assists in providing students and graduates with placement and job opportunities. Students are actively encouraged to organize and participate in placements during the summer recess between year one and year two in order to gain valuable experience that can be taken forward into the second year.

    We actively encourage students to join professional conservation bodies, such as the Institute of Conservation (ICON), the International Institute for Conservation of Historic and Artistic works (IIC) and the International Council of Museums Committee for Conservation (ICOM-CC), all of which have vibrant student and emerging conservator networks. Students are also encouraged to attend and speak at professional conferences, particularly those that are student-led. This helps you to network with professionals and peers working within the profession.

    You will also benefit from our formal partnerships with the Northumbria University collections and archives and with several local and national museums (for example: Tyne and Wear Archives and Museums, the Bowes Museum, the National Museum of Scotland, V&A, and Tate). We also have a long-standing relationship with the National Trust in the UK, who have provided students with opportunities for study and project work in the past.

    On completion of the programme, students typically find employment in galleries, libraries, archives, museums and other heritage institutions, or continue their research to PhD level. 

    Northumbria University Conservation of Fine Art alumni influence conservation and heritage policy throughout the world. Some notable alumni include; Virginia Lladó-Buisán, Head of Conservation & Heritage Science, Bodleian Libraries; Britta New, Senior Painting Restorer, National Gallery, London; Anne Slettemoen, Head of Conservation at the National Museum of Sweden; Alan Derbyshire, former Head of Paper, Book and Paintings at the V&A; Dr Bronwyn Ormsby, Principle Conservation Scientist Tate, and Nick Dorman,  Chief Conservator Seattle Art Museum.

    Fee Information

    Tuition Fee

    GBP 41,900 

    Application Fee

    GBP  
    Northumbria University

    Conservation of Fine Art (Easel Paintings) MA

    Northumbria University

    [object Object]

    United Kingdom,

    Newcastle upon Tyne

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